Some stories start in the streets, some start online — his started in his grandfather's music room. Surrounded by handmade oriental instruments and small Roland synthesizers, he was already twisting knobs and tapping keys at age five.

His grandfather built instruments for Turkish musicians, so culture and sound design were part of daily life, not career goals. His Grandfather's Son and his late Uncle had vinyl laying around from The Brothers Johnson, Johnny Guitar Watson, Rare Earth, Dr. John, Jethro Tull, Don Cherry's Hear & Now and many more vinyl albums from the 70s.

By age ten he was programming MIDI on an Atari with Cubase and reverse-engineering games on a Commodore C16+ just to figure out how a machine understands human intent. That mix of curiosity and obsession would become his signature.

The 90s pulled him into Hip-Hop. Long before German rap became a chart machine, he was cutting beats, sampling them and making beats of it with digital sampling workstations (like Ensoniq, Akai, Yamaha, E-mu), writing lyrics in English and performing those on tiny concerts and some selected festivals.

In 2000 he moved from Cologne to Munich and shifted into software development. Two decades of coding, consulting, and frontend engineering later, he found a new frontier that brought everything full circle: AI.

After moving to Munich in 2000 for frontend software engineering & consulting he stayed in contact with artists for further productions. In 2016 the BET OneShot TV show used his beats. In 2025 he returned to produce multilingual music content.

Testing early AI music tools turned into building his own. In 2025 he started creating full songs — music, lyrics, visuals — in multiple languages, something he used to dream about when English was his only outlet. He even built a custom video app with Claude to handle visuals the way he wanted.

Now his focus is an AI music artist who performs the same album across multiple languages. English is the base version, German is fully produced, and Turkish and Czech test versions are already proving the concept hits beyond one market. Same melodies, same story, new cultural dimension each time.

For him, AI isn't about replacing artists — it's about expanding identity, breaking language barriers, and letting Music exist in different cultural realities at once. He's not here to chase the past. He's here to prototype the next chapter.